Skip to main content

Elsie

Elsie’s thin hand pressed the afghan into a tight space between her leg and the wheelchair arm. Her sister had crocheted it, this green and orange thing, her lifeline to the outside.
“Ready to go back?” A staccato voice.
“Yes.”
“Eat your dessert this time?”
“Yes.”
“Good girl. Want me to push you?”
Her soft blue eyes shifted. “I can do it.”
“Good girl, Elsie. It’s important to take care of yourself some.
Elsie released the brake, carefully, one wheel and the other, slowly, not to betray herself. Back from the table, aim at the door.
“Elsie!” The staccato nurse.
Elsie froze.
“That blanket’s filthy, I’ll get it washed.”
Elsie pressed the tight space again. “No!” Then softer, “It’s fine.”
She searched for a good line, “I’m cold.”
“It’s seventy degrees in here.”
“I’m cold. Please.”
“Well, whatever. You want that nasty thing, I offered.”
Elsie waited. Must not appear rushed, hurried. Slowly to the door.
“Elsie, you taking anything from the dining hall this time?” Another bossy nurse.
Elsie couldn’t speak. She shook her head.
“Show me your hands.”
Slowly Elsie held her palms up, like a small child. Empty.
“Good girl.”
When the nurse had gone and the path seemed clear Elsie rolled into her room. She loosened the afghan and pulled a small napkin-clad square from the tight place, and smiled a little; mischievous, younger and alive.
Savoring the moment, Elsie pulled back the napkin, knowing the brownie would taste like freedom.

Popular posts from this blog

Geoffrey Chaucer's Moral Tales "Wife of Bath" and "Pardoner"

P.T. Barnum may not actually have said, “There’s a sucker born every minute,” but it nevertheless seems to have become the creed of snake charmers and snake oil salesmen through the ages. But prior to Barnum, Geoffrey Chaucer gave us both a snake oil salesman and a snake charmer in the Pardoner and the Wife of Bath in his The Canterbury Tales . The Wife of Bath may not be a snake charmer in the traditional sense, but she might try to charm a snake out of its skin, or at least his clothing. The Pardoner may not charm the snake at all, but he’ll sell you both its oil and its skin, and make you believe you’ll go to heaven in the bargain.  Betwixt the two, we find two exemplas , the moral tales which were popular in Medieval times. Ladies first, if Alisoun may be called a lady. In this Wife of Bath’s quite lengthy prologue we learn of her five husbands as well as her Biblical justification for having had so many. We also hear of her poweress both in marriage and in the marriage bed. For

12" x 12" Acrylic Flow Painting, DA-2

12" x 12" Acrylic Flow Painting, by Terry Heath, DA-2. Craft acrylic and Elmer's Glue on canvas.

Emapathy=Maturity in Zindel's "The Pigman"

In The Pigman , author Paul Zindel follows many expected tropes in young adult literature: coming of age, wild exploration, passion, etc. However, Zindel excels in his exploration of another important trope of the genre, what Havinghurst identifies as “achieving emotional independence from parents and other adults.” In The Pigman , the protagonists Lorraine and John achieve emotional independence from their parents by learning to understand and empathize with them. More empathetic than John from the beginning of the story, Lorraine is the more emotionally mature of the two; however, while Lorraine is able to empathize with her teachers and the school librarian, she is initially unable to empathize with her mother. John may arguably be the more typical of the two teenage characters, showing little empathy for anyone at the beginning of the story and by inference, less maturity. After building a relationship with Mr. Pignati and witnessing his fears, such as being alone and dying withou