Showing posts from December, 2007
Nameless in the Shadows of Cornell Woolrich ' s " I Married a Deadman "
Poison as a Dramatic Device in Rudolph Mat é ' s Film " D.O.A. "
Time in Kenneth Fearing ' s Noir Novel " The Big Clock "
" The Big Sleep " as Pulp Fiction for the Thinking Man
German Expressionism in Edgar G. Ulmer ' s Film Noir " Detour "
Life as a Marathon Dance in Horace McCoy ' s " They Shoot Horses, Don ' t They? "
The Cat Theme in James M. Cains " The Postman Always Rings Twice "
Visual Representation of Psychological Separation in Billy Wilde ' s " Double Indemnity "
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